Superman in the dock. Batman v Superman: Dawn of Justice. C. 2015, Warner Brothers Entertainment.
by Don Clasen
June 3, 2016
What’s that old saying about never say never? Back in January I said I rarely do movie reviews for various reasons, and here I’m doing three more with this article. But the following is too fascinating to be ignored.
It’s easy to explain away the superhero craze according to the Hollywood formula of fear and greed—that of studio executives not wanting to take risks, stick with what’s hot and cash in on it. But these movies are saturated with Satanic themes designed to condition the public to accept Illuminati rule and Jewish eschatology. The latter is the more interesting in that it seeks to identify the Apocalypse as a Christian-driven disaster that can be avoided if the world will just climb onboard the Zionist bandwagon and move into a glorious Israeli-led Golden Age. That the coming Great Tribulation will have next to nothing to do with a powerless Church and everything to do with Israel’s obsessive ambitions goes without saying, but as Jesus Christ so well put it years ago, the Pharisees are like the blind leading the blind, both of which will fall into a very deep ditch (Mt 15:14).
“Fan boy” aficionados, the kind you see streaming to Comic Con conventions all dressed up in ridiculous costumes are this genre’s true fanatics. In fact the word “fan” is an American idiom derived from the word “fanatic.” They may know nothing about how the real world works but boy, do they ever know every detail of their superheroes’ ongoing sagas. If they devoted as much time to studying the real world, they could get more than enough truth that is stranger than the fictions they are so devoted to.
But they won’t. Why? Because our overlords make it very painful—ruining careers, destroying reputations, and assassination if need be—for you to enquire into the reality of what they’re doing to us. As Gilad Atzmon former Israeli citizen put it, Jewish power is the ability to suppress any discussion about Jewish power. That and their Gentile collaborators in the Illuminati elite would all be in the slammer considering what depraved, pedophile lives so many of them live. Dumbing you down and infantilizing you keeps you distracted and provides a “safe” alternative buried in a fantasy world.
Jewish Dominance In Comic Books
Having stopped reading comic books around I don’t know, maybe about ten, I can’t say I’m very knowledgeable about these Marvel and DC characters. I do know there’s an endless parade of them with extremely complicated and inter-related stories developed over decades by a number of different artists. I also am aware that most of these writers, especially the pioneers were all Jews[1] who have stated that through these characters they were able to fantasize away the sense of powerlessness they felt in “anti-Semitic” America. You’d be shocked by how many there are.[2]
It’s a curious attitude in the face of just how powerful “Jewish power” is in our day. Even as far back as a century ago, Jewish elites wielded significant insider influence over the American government and often at the expense of the nation. If you don’t believe me, just ask Wilson, FDR and Truman for starters.[3] The rank and file such as these cartoonists didn’t enjoy such privilege of course but bragging in private about such power is rife within their community. But to make such fantasizing acceptable and ingratiate themselves to a country their leaders were often exploiting, they made sure many of these characters were American. Captain America and Superman who fought “a never ending battle for truth, justice, and the American way” are the classic examples.
None of this is surprising considering the psychology of victimhood and powerlessness rabbis instill in their people. According to the Talmudic argument, since God gave the covenant exclusively to the Jews, all Gentiles are ineradicably (don’t you know) resentful and jealous of them, thereby explaining away any opposition to their obvious right to rule the world and getting there by hook or by crook.[4] This is apparently what faux anti-Semitism really means—Gentile anti-masochism.
Three Examples So Far This Year
The first movie I want to look at was so disturbing that I almost wrote an article on it alone back in March. Batman v Superman: Dawn of Justice is a DC (Comics) Entertainment effort marinating in occultic symbolism. This was not just a “dispiriting” movie as one reviewer mildly put it with nothing and no one inspirational, but also very dark in lighting, atmosphere and message.
In the days of the TV show, Batman was portrayed as a good guy but I suspect the idea all along was eventually to mainstream his occultic identity. Bats have always been a fixture in the occult being blood drinkers and nocturnal, and Batman is the protector of Gotham which literally means “city of goats,” a type of devotees to the Devil![5]
In this film there is no pretense. Batman clearly is a type of the Devil but also doubles as the Antichrist, the human “hero” who “takes on” Jesus Christ in combat. This is in accordance with the manipulations of villain Lex Luthor who engineers this fight to destroy Superman and declares that “devils don’t come from hell beneath but from the sky,” an obvious blasphemy of God. Batman here is filled with a jealousy and dark obsession toward fellow crime fighter Superman that is never explained (though it clearly is in the Bible).
Heavy Messianic and Satanic Symbolism
Superman is likewise clearly a type of Jesus Christ here. He hovers suspended in the air like Christ in His Ascension, he lands among phalanxes of men who bow down to him, he’s just trying to do good, save people, he has an earthly and a heavenly father, etc.
But the Satanic slander is just withering. He’s full of self-doubt about who he is and agrees with the charge that he’s an alien who doesn’t belong in this world. An ungrateful public spray paints “False God” on his statue, he barely holds his own in hand-to-hand combat with Batman (which is ridiculous according to the Bible), but worse yet, he dies at the end of the movie!
That’s right. Superman dies! Yet just like Jesus Christ, there’s a hint of a resurrection from his coffin for a sequel.
During this fight, a monster arises to destroy the city, prompting the two of them to stop fighting and join together, a reflection of the esoteric concept of God as both good and evil at the same time.
The two sides of the same “God”
By being willing to slay the monster with a Kryptonite-tipped Spear of Destiny, an occult legend regarding the spear that pierced Jesus’ side, Superman gives his life to save the city. During this time Wonder Woman played by Israeli actress Gal Gadot no less, shows up to the cheers of the audience.[6] After Superman is dead, she (beautiful Israel) and Batman (Antichrist) go forth to start a New World Order.
As if all that weren’t blatant enough, it got worse with Warner Brothers later releasing a deleted scene analyzed in this amazing video.
(Note: You better believe it’s unavailable! Removed by Warner Brothers from the web now.
In it Satan is depicted holding the black cubes of Saturn (Satan) as Lex Luthor is seen immersed in a vat of blood and feces! Although it’s entitled “Communion” (blasphemous enough), it is actually a vivid depiction of Satanic baptism when a devotee dedicates himself to the Devil!
(Black Cube is also the name of an Israeli private security firm, used in the past by Harvey Weinstein to threaten his female accusers, reputedly made up mostly of ex-Mossad agents.)
Yes, Warner Brothers, the home of Bugs Bunny is now promoting open Satanism, so entrenched is the Illuminati in Hollywood. As of this writing, over 7 million people have viewed this clip for free. No greed motive here.
The “Externalization (Unveiling) of the Hierarchy, the gods amongst us.” Indeed.
The sub-title for this movie is “Dawn of Justice.” But what kind of Justice and for whom? Where is this saga headed? All over the Internet, researchers are sounding the alarm this movie is telegraphing to the world just what they are about to do to Christians very soon.
Captain America: Civil War and September 16, 1991
Marvel Entertainment released two “Avenger” series movies of their own after the Batman/Superman movie. While these characters are less overtly occultic, they’re New World Order enough all the same. The latest installment, Captain America: Civil War is apparently part of the ongoing theme being inculcated into the world to bring about a “controlled opposition” civil war that will make it easier for the Illuminati to justify their Antichrist/fascist crackdown. (A 2012 Batman movie, The Dark Knight Arises has already dramatized this event.)
Notice the racism here too, plus the blue state/red state dichotomy with Satan (Black Panther) behind them.
In this episode, government officials are complaining that the Avengers are acting with too much autonomy and causing a lot of collateral damage in fighting evil. Half the group led by Tony Stark/Ironman (who symbolizes the privatized military-industrial complex) side with their government/partner while Captain America from a World War II generation concerned with the Constitution and public ownership of their government, want to operate on their own to stop a Nazi-like entity called Hydra. Stark and his group of Avengers (red) are tasked with arresting Captain America and his friends (blue).
Again, God as both good and evil.
In this episode, “Cap” discovers that his World War II buddy Bucky Barnes actually survived, was captured by Hydra, mind-controlled and trained to be one of their “Winter Soldier” assassins. At the start of the movie Barnes is sent to kill a couple who turn out to be Tony Stark’s parents. When Stark finds out it was Barnes, he flies into a rage and tries to kill Bucky. Cap ends up fighting Stark to defend his friend, arguing that Bucky didn’t know what he was doing at the time.
Stark’s parents were assassinated on September 16, 1991, a date that keeps cropping up throughout the movie. His father was the founder of Stark Industries that Tony now runs.
Why is this significant? I looked up what happened on that day in the world and aside from it being the glorious day that Kazakhstan won its independence, the only other incident was the UN voting to repeal a 1975 resolution that “Zionism is a form of racism.” Which it most certainly is but once again, that’s an example of “Jewish power” in this world—the ability to define reality the way it wants.
So what’s the message here? Robert Downey Jr. who is himself partly Jewish (paternal side) is playing Tony Stark whose represents the Zionist dream of a privatized, militarized Talmudic New Order. His parents are assassinated on this symbolic day by Hydra, a Nazi-like organization using Captain America’s best friend Bucky. I would assume this means ergo, that any “Old Order” resistance from the goy nations and their sentimental attachment to Christian / Enlightenment values is inherently Nazi-like at heart. Pretty slick, pretty subtle. But damnable slander all the same (II Pet 2:1).
X-Men: Apocalypse
Speaking of Jewish paradises, I’m not sure but that many Christians are completely unaware that Israel does not share our expectation of a coming Apocalypse. The “Apocalypse” means “revelation” as in “The Revelation of Jesus Christ,” even though it has become synonymous with the idea of cataclysm and the end of the world. And Revelation is a book in the New Testament of a Messiah they completely reject.
Whereas we believe Israel is in danger of a disaster ahead for them—a disaster today’s clueless Evangelicals are more than happy to fund and cheer on of course—still, Israelis really don’t see it playing out that way. They look forward to an open-ended Jewish-led Golden Age for the world, presumably characterized by major population reduction (goy population that is), limitless sexual liberation, pedophilia, total surveillance state, torture, Satanic sacrifices, magical powers, mind control, psy ops and on and on. What’s there not to like here? In their upside down view of the world, any threat of a coming apocalypse is due to the boring Christian Old Order of inhibited expression and their perception of our wishing disaster upon them. Heck of a job Church.
Thus in Marvel’s latest X-men movie, the villain that must be brought down is a nasty old god from ancient Egypt (Israel’s nemesis), named Apocalypse.
Apocalypse and Friends, the new Fox News show.
This of course is accomplished by the leadership of the X-men, a wide range of mutants with extraordinary powers. If only the people of the world would climb on board the train of this collection of oddballs, we could be free from these oppressive Christians and their false Messiah, Apocalypse. In the midst of this, Magneto the son of Holocaust victims is undecided whether he should retain his old resentments and victimhood identity or fully move on and join the New Order. No subtlety here.
Also embedded is the message of the trans-human agenda of sex change “heroes” like Caitlyn Jenner, the splicing of human DNA with that of other species (such as spiders—the Spiderman meme), genetic-engineering of the perfect sex slaves, techies, soldiers, athletes, etc. What a glorious future comrades! And all with no global meltdown! Such a plan!
To The Stars and Beyond!
There’s been a heavy Jewish presence in the history of Marvel Entertainment especially. The company was wrested from Jewish billionaires Carl Icahn and Ron Perelman in 1998 by two Israeli-born businessmen, Avi Arad and billionaire Issac Perlmutter who “takes great pride in never having given an interview over his entire career despite being in the public eye due to his many court battles and bankruptcy fights. He has rarely been spontaneously photographed.” Its Chairman Emeritus is Stan Lee (nee Lieber) who appears in all the films.
Isaac Perlmutter, a rare Forbes photo
Are these men part of a direct effort by Israel to use these companies to condition the world for this New Order agenda? Maybe, I don’t know. But these kinds of occultic themes have been in there for some time now. Certainly somewhere in the food chain decisions are being made to inject the NWO agenda into their movies. I could be wrong about this but for most of these big movies, writers are hired and assigned story lines to develop. I don’t believe they are “spec” scripts pitched by the writers, but I could be ignorant here.
Both Marvel and DC now have “Cinematic Universes” wherein their characters cross over into each other’s movies. Marvel is currently in phase 3 starting with this Captain America and ending in 2019 with the ominous-sounding Avengers: Infinity War-Part II. The DC Cinematic Universe is much less developed, having only Man of Steel and the Batman v Superman movies under its belt. But just last month they announced they were undergoing a major revamping of the concept.
Where these “universes” will end up no one knows, but don’t be surprised if Captain America isn’t converted over by the end.
Notes:
[1] http://www.jspacenews.com/comic-book-heroes-jewish-artists-created/ for instance.
[2] https://en.wikipedia.org/wiki/List_of_Jewish_American_cartoonists
[3] For instance, Wilson was blackmailed by British Zionists who paid hush money for him over an affair and got him to reverse his promise to not drag the US into World War I; FDR advocated “spreading the Jews thin” throughout the world lest they concentrate and take over key sectors; Truman was losing to Dewey in the 1948 election until he was given a million dollars in exchange for getting the US to recognize Israel.
[4] I write about this in my article, “Who Started This Fight?”
[5] There are also allusions to Fritz Lang’s occult-heavy 1927 classic Metropolis in these stories. Metropolis is Superman’s city. http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
[6] Wonder Woman was the creation of a psychologist, lawyer and inventor, Dr. William Moulton Marston who worked with Maxwell Gaines (nee Max Ginzberg), the inventor of comic books in the 1930s. Marston said of his character, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who, I believe, should rule the world.” https://en.wikipedia.org/wiki/William_Moulton_Marston
